Associate Professor of Art and Art History
Ph.D., University of California at Berkeley 1989
M.A., University of California at Berkeley 1984
B.A., University of California at Berkeley 1981
Stanley Abe has published on Chinese Buddhist art, contemporary Chinese art, Asian American art, Abstract Expressionism, and the collecting of Chinese sculpture. He is now writing a narrative account of how Chinese sculpture came into existence as a category of Fine Art during the late nineteenth and early twentieth centuries.
ExpertiseChinese art, theory & criticism
Abe, S. "General Munthe’s Sculpture Collection." Gifts. Ed. J Haakestad. Vestlandske Kunstindustrimuseum, 2012. 42-47.
Abe, S. "The Modern Moment of Chinese Sculpture." Exhibiting Asian Art: Issues and Perspectives. National Museum of Korea; Friends of National Museum of Korea, 2011. 27–45-27–45.
Abe, S. "Rockefeller Home Decorating and Objects from China." Collecting China: The World, China, and a Short History of Collecting. Ed. V Rujivacharakul. University of Delaware Press, 2011. 107–23-107–23.
Abe, S. "Locating World Art." The Migrant’s Time: Rethinking Art History and Diaspora. Ed. S Mathur. Sterling and Francine Clark Art Institute, 2011. 130-45.
Abe, S. "Collecting Chinese Sculpture: Paris, New York, Boston." Journeys East: Isabella Stewart Gardner and Asia. Ed. A Chong and N Murai. Isabella Stewart Gardner Museum, 2009. 432-442.
"China, The Buddha, and Modern Aestheticism." Re-Imagining Asia: A Thousand Years of Separation. Ed. S Merali. Haus der Kulturen der Welt, Berlin, 2008. 124-133.
Abe, S. "From Stone to Sculpture: The Alchemy of the Modern." Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University. Miriam and Ira D. Wallach Art Gallery, Columbia University, 2008. 7–16-7–16.
Abe, S. "To Avoid the Inscrutable: Abstract Expressionism and the "Oriental Mode"." Discrepant Abstraction. Ed. K Mercer. MIT Press, 2006. 52-73.
Abe, S. "Xu Bing de zhenshi de yishu 徐冰的真实的艺术 (The Genuine Art of Xu Bing)." Xu Bing – Yancao jihua 徐冰 – 烟草计划 (Xu Bing: Tobacco Project). Ed. WH 巫鸿. Beijing: Zhongguo Renmin daxue chubanshe, 2006. 106–114-106–114.
Abe, S. "Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism." Shades of Black: Assembling the 80s, A transatlantic dialogue on Afro-Asian arts in post-war Britain. Ed. DA Bailey, I Baucom, and S Boyce. Duke University Press, 2005. 109-114.
Abe, S. "Review of Wu Hung, The Art of the Yellow Springs: Understanding Chinese Tombs and Sonya Lee, Surviving Nirvana: Death of the Buddha in Chinese Visual Culture." History of Religions 52 (November 2012): 173–80-173–80. (Review)
Abe, S. "Review of Robert Harrist, The Landscape of Words: Stone Inscriptions from Early and Medieval China." Journal of Asian Studies 70 (February 2011): 196–198-196–198. (Review)
Abe, S. "Review of Ning Qiang, Art, Religion, and Politics in Medieval China: The Dunhuang Cave of the Zhai Family." Journal of Asian Studies 64 (2005): 454-56. (Review)
Abe, S. "Review of Marsha Weidner, ed., Cultural Intersections in Late Imperial Chinese Buddhism." Journal of Asian Studies 61 (May 2002): 715-16. (Review)
Abe, S. "Review essay of Lukas Nickel, ed., Return of the Buddha: The Qingzhou Discoveries." Aribus Asiae 62 (2002): 293–99-293–99. (Review)
Abe, S. "Review of Stephen Little with Shawn Eichman, Taoism and the Arts of China." Journal of Chinese Religions 29 (2001): 332-34. (Review)
Stanley Abe, . "Provenance, Patronage, and Desire: Northern Wei Sculpture from Shaanxi Province." Ars Orientalis 31 (2001): 1-30. (Academic Article)
Stanley Abe, . "Tobacco Art: Xu Bing's Tobacco Project." Duke University Libraries 14.1 (October 2000): 3-7. (Academic Article)
Buddhist Sculpture In a New Light. Creator. (2002)
An exhibition of twenty-two works from the storage of the Freer Gallery, co-curated with Jan Stuart; some of the works were previously considered the masterpieces of the collection but have been relegated to storage; many others have never been exhibited
Shimada Prize for Distinguished Scholarship in the History of East Asian Art for the book Ordinary Images. Smithsonian Institution's Freer Gallery of Art and Arthur M. Sackler Gallery, and The Metropolitan Center for Far Eastern Art Studies, Kyoto, Japan. 2004