University of North Carolina Press
Since the moment William Ferris’s parents gave their twelve-year-old son a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionately began to photograph his world. He has never stopped. The 60s and 70s were a particularly significant period for Ferris as he became a path-breaking documentarian of the American South. This beautiful, provocative collection of 100 of Ferris’s photographs of the South, taken during this formative period, capture the power of his color photography. Color film, as Ferris points out in the book’s introduction, was not commonly used by documentarians during the latter half of the 20th century, but Ferris found color to work in significant ways in the photographic journals he created of his world in all its permutations and surprises.
The volume opens with images of his family’s farm and its workers – family and hired – southeast of Vicksburg, Mississippi. The images are at once lyrical and troubling. As Ferris continued to photograph people and their homes, churches, and blues clubs, their handmade signs and folk art, and the roads that wound through the region, divisive racial landscapes become part of the record. The foreword by Rankin provides rich insight into Ferris’s work.