Annabel J. Wharton
William B. Hamilton Distinguished Professor of Art and Art History
Ph.D., University of London (United Kingdom) 1975
M.A., The University of Chicago 1969
B.S., University of Wisconsin - Madison 1966
ANNABEL WHARTON, William B. Hamilton Professor of Art History, Duke University, and Vincent Scully Visiting Professor at the Yale School of Architecture in 2014, received her Ph.D. at the Courtauld Institute, London University. Initially her research focused on Late Ancient and Byzantine art and culture (Art of Empire [Penn State] and Refiguring the Post-Classical City [Cambridge]). Then she began to investigate the effects of modernity on ancient landscapes, notably in Building the Cold War: Hilton International Hotels and Modern Architecture (Chicago, 2001). She has combined her interests in the Ancient and the Modern in her last two books: Selling Jerusalem: Relics, Replicas, Theme Parks (Chicago, 2006) and Architectural Agents: The Delusional, Abusive, Addictive Lives of Buildings (Minnesota, 2015). Architectural Agents considers material and digital buildings as agents that both endure pain and inflict it. She has begun work on a new project treating the theory and practice of models, conceptual and material, analog and digital, tentatively titled Manipulating Models.
ExpertiseEarly Christian & Byzantine Architecture, architectural history, medieval architecture, modern architecture, religious visual culture, new technologies for visualizing historical materials
Cameron, Averil, and Averil Wharton AJ. “Christianity and the Rhetoric of Empire.” Art Bulletin, vol. 74, 1992, pp. 511–12.
Wharton, Annabel J. “The Baptistery of the Holy Sepulchre in Jerusalem and the Poltics of Sacred Landscape.” Dumbarton Oaks Papers, vol. 46, 1992, pp. 313–25.
Wharton, Annabel J. “Gender, Architecture and Institutional Self-Presentation: The Case of Duke University.” South Atlantic Quarterly, vol. 90.1, 1991, pp. 175–217.
Wharton, Annabel Jane. “The Urban Character of Christian Worship: The Origins, Development, and Meaning of Stational Liturgy.John F. Baldovin.” Speculum, vol. 65, no. 3, University of Chicago Press, July 1990, pp. 605–07. Crossref, doi:10.2307/2864041. Full Text
Wharton, A. J. “Tenderness and Hegemony: Exporting the Virgin Eleousa.” World of Art: Themes of Unity in Diversity. Acts of the Xxvth International Congress of Art History, Washington, Dc, edited by Irving Lavin, vol. I, 1990, pp. 71–80.
Herrin, J., et al. “Formation of Christendom; History of the Orthodox Church.” Religious Studies Review, vol. 16, 1990, pp. 347–347.
Demus, O., and O. Wharton AJ. “The Mosaic Decoration of San Marco.” Speculum, vol. 65, 1990, pp. 971–72.
Wharton, Annabel J. “Rereading Grabar's Martyrium: The Modernist and Postmodernist Texts.” Gesta, vol. 29, no. 1, 1990, pp. 3–7.
Wharton, Annabel Jane. “Ritual and Reconstructed Meaning: The Neonian Baptistery in Ravenna.” The Art Bulletin, vol. 69, no. 3, Informa UK Limited, Sept. 1987, pp. 358–75. Crossref, doi:10.1080/00043079.1987.10788438. Full Text
Demus, O., and O. Wharton AJ. “The Mosaics of San Marco in Venice.” Speculum, vol. 61, 1986, pp. 915–18.