Professor of Art, Art History and Visual Studies
Ph.D., University of Chicago 1990
M.A., University of Arizona 1984
B.A., Concordia College 1980
David Morgan is Professor of Religious Studies with a secondary appointment in the Department of Art, Art History, and Visual Studies at Duke. He chairs the Department of Religious Studies at Duke. Morgan received his Ph.D. at the University of Chicago in 1990. He has published several books and dozens of essays on the history of religious visual culture, on art history and critical theory, and on religion and media. Images at Work: The Material Culture of Enchantment, was published in 2018 by Oxford University Press. The Forge of Vision: A Visual History of Modern Christianity, based on the 2012 Cadbury Lectures delivered at the University of Birmingham, UK, appeared in 2015 from the University of California Press. Previous books include The Embodied Eye: Religious Visual Culture and the Social Life of Feeling (California, 2012), The Lure of Images: A History of Religion and Visual Media in America (Routledge, 2007) and two that he edited and contributed to: Religion and Material Culture: The Matter of Belief (Routledge, 2010) and Key Words in Religion, Media, and Culture (Routledge, 2008). Earlier works: Visual Piety (University of California Press, 1998), Protestants and Pictures (Oxford, 1999), and The Sacred Gaze (California, 2005). Morgan is co-founder and co-editor of the international scholarly journal, Material Religion, and co-editor of a book series at Routledge entitled “Religion, Media, and Culture.” Morgan is currently at work on a new book under contract with the University of North Carolina Press, entitled "The Thing about Religion: An Introduction to Studying the Materiality of Belief."
ExpertiseHistory of religious visual culture, art history and critical theory, religion and media
Morgan, D. "The Study of Religion and Popular Culture: Prospects, Presuppositions, Procedures." Between Sacred and Profane: Researching Religion and Popular Culture. Ed. G Lynch. London: IB Tauris, 2007. 21-33.
Morgan, D. "The Visual Construction of the Sacred." Images and Communities The Visual Construction of the Social. Ed. M Stocchetti and J Sumiala-Seppänen. Helsinki: Gaudeamus-Helsinki University Press, 2007. 53-74. (Chapter)
"Absent Fathers and Women with Beards: Religion and Gender in Popular Imagery of the Nineteenth Century." American Visual Cultures. Ed. D Holloway and J Beck. London: Continuum International Publishing Group, 2005. 39-47.
Morgan, D. "Manly Pain and Motherly Love: Mel Gibson’s Big Picture." After The Passion is Gone: American Religious Consequences. Ed. JS Landres and M Berenbaum. Lanham, MD: AltaMira Press/Rowman & Littlefield, 2004. 149-157. (Chapter)
Morgan, D. "Catholic Visual Piety and The Passion of the Christ." Re-Viewing The Passion: Mel Gibson's Film and Its Critics. Ed. S Brent. New York: Palgrave Macmillan, 2004. 85-96. (Chapter)
Morgan, D. "Toward a Modern Historiography of Art and Religion." Reluctant Partners: Art and Religion in Dialogue. Ed. E Heller. New York: The Gallery at the American Bible Society, 2004. 16-47. (Chapter)
Morgan, D. "Visual Media and the Case of Ethiopian Protestantism." =Belief in Media: Media and Christianity in a Cultural Perspective. Ed. M Hess, P Horsfield, and A Medrano. Aldershot, Hampshire, UK: Ashgate Publishing, 2004. 91-106. (Chapter)
Morgan, D. "Protestant Visual Piety and the Aesthetics of American Mass Culture." Mediating Religion: Conversations in Media, Religion and Culture. Ed. J Mitchell and S Marriage. London: T&T Clark, 2003. 107-120. (Chapter)
Morgan, D. "Protestant Visual Practice and American Mass Culture." Practicing Religion in the Age of the Media: Explorations in Media, Religion and Culture. Ed. S Hoover and L Schofield Clark. New York: Columbia University Press, 2002. 37-62. (Chapter)
Morgan, D. "For Christ and the Republic: Religious Illustration and the History of Literacy in Nineteenth-Century America." The Visual Culture of American Religions. Ed. D Morgan and SM Promey. Berkeley: University of California Press, 2001. 49-67. (Chapter)
Morgan, D. "The look of sympathy: religion, visual culture, and the social life of feeling." Material Religion 5.2 (July 2009): 132-154. Full Text
Morgan, D. "Exhibition review: the critical view “visuality and the question of god in contemporary art”." Material Religion 3.1 (March 2007): 135-144. Full Text
Corrigan, J, Morgan, D, Silk, M, and Williams, RH. "Forum: Electronic Media and the Study of American Religion." Religion and American Culture: a Journal of Interpretation 16.01 (2006): 1-24. Full Text
Morgan, D. "Response to spackman, "reconsidering 'kitsch'"." Material Religion 1.3 (December 1, 2005): 417-419.
Morgan, D, and Keller, RK. "What evidence would prove the amyloid hypothesis? Towards rational drug treatments for Alzheimer's disease." Journal of Alzheimer'S Disease : Jad 4.3 (June 2002): 257-260.
Paul, SM, Sensakovic, J, Podhurst, LS, Morgan, DH, and Triano-Davis, W. "Managing HIV/AIDS patients." New Jersey Medicine : the Journal of the Medical Society of New Jersey 95.5 (May 1998): 55-60. (Review)
Paul, SM, Cross, H, Costa, SJ, Pierce, M, Pizzuti, W, Morgan, DH, and Ziskin, LZ. "Emerging issues in AIDS: variant strains of human immunodeficiency virus and its subtypes." Mlo: Medical Laboratory Observer 30.2 (February 1998): 32-36.
Fellowships, Supported Research, & Other Grants
Research & Travel Grant awarded by Stichting Porticus, Amsterdam (2004 to 2005)
NEH Humanities Fellowship awarded by National Endowment for the Humanities (2001 to 2002)
Postdoctoral Fellowship in the History of Art and Humanities awarded by J. Paul Getty (1996 to 1997)
Pew Postdoctoral Fellowship in Religion and American History awarded by Yale University (1994 to 1995)