France Family Professor of Art, Art History, and Visual Studies
Ph.D., University of California at Berkeley 1987
M.A., University of California at Berkeley 1976
B.A., San Jose State University 1970
ExpertiseContemporary global experimental art and theory, destruction in art and trauma studies, artists’ writings, and visual studies
Stiles, K., and E. A. Shanken. “Missing in Action: Agency and Meaning in Interactive Art.” Context Providers: Context and Meaning in Digital Art, edited by M. Lovejoy et al., University of Minnesota Press, 2000.
Stiles, K. “Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century.” Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death, edited by Linda Montano, Berkeley: University of California Press, 2000.
Stiles, K. “Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde.” Contours of the Theatrical Avant-Garde: Performance and Textuality, edited by James M. Harding, Madison: University of Madison/Wisconsin, 2000, pp. 239–89.
Stiles, K. “Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events.” Yes Yoko Ono, edited by Alexandra Monroe, New York: Japan Society, 2000, pp. 145–49.
Stiles, K. “Corpora Vilia: Valie Export’s Body.” Valie Export’s Visual Syntagmatics, Goldie Paley Gallery, Moore College of Art and Design, Philadelpia, 2000, pp. 16–33.
Stiles, K. “Mapping Joshua Neustein’s Art.” Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak, Herzliya, Israel: Hezliya Museum, 2000, pp. 122–30.
Stiles, K. “Beautiful, Jean-Jacques’: Jean-Jacques Lebel’s Affect and the Theories of Gilles Deleuze and Felix Guattari.” Jean-Jacques Lebel, Milano: Edizioni Gabriele Mazzotta, 1999, pp. 7–30.
Stiles, K. “The Flux/Med’ Collages of Bob Watts.” Bob Watts, Museum of Koper, Slovenia, 1999, pp. 1–3.
Stiles, K. “300 Words for Dan Perjovschi.” After the Wall: Art and Culture in Post-Communist Europe, Stockholm: Moderna Museet, 1999, pp. 153–153.
Stiles, K. “Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings.” Off Limits: Rutgers University and the Avant-Garde, 1957-1963, Newark: Newark Museum and Rutgers University Press, 1999, pp. 118–29.