Anne Murnick Cogan Professor of Art and Art History
Ph.D., Yale University 1990
M.A., Queen's University 1984
B.A., McGill University (Canada) 1981
Mark Antliff received his Ph.D. from Yale University and is author of Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (1993) and Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939 (2007) as well as co-author of Fascist Visions: Art and Ideology in France and Italy (with Matthew Affron, 1997), Cubism and Culture (with Patricia Leighten, 2001), and A Cubism Reader: Documents and Criticism 1906-1914 (with Patricia Leighten, 2008). His research and teaching interests focus on art in Europe before 1945, with special attention to cultural politics in all its permutations, as well as the interrelation of art and philosophy.
Expertise19th-20th Century European Art, Theory & Criticism
Antliff, M. “Modernism.” Historical Encyclopedia of World Fascism, Edited by Cyprian Blamires, ABC-Clio Press, 2006.
Antliff, M. “Bergson.” Encyclopedia of Europe, 1789-1914, edited by John Merriman and Jay Winter, Macmillan Press, 2006.
Antliff, M. “Cubism.” Encyclopedia of Europe, 1789-1914, edited by John Merriman and Jay Winter, Macmillan Press, 2006.
Antliff, M. “Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology.” Nationalism and French Visual Culture, 1870-1914: A Symposium, edited by June Hargrove and Neil McWilliam, Yale University Press, 2005, pp. 307–32.
Antliff, M., and Patricia Leighten. “Primitive.” Critical Terms for Art History, edited by Robert S. Nelson and Richard Shiff, University of Chicago Press, 2003.
Antliff, M. “Creative Time: Bergson and European Modernism.” Tempus Fugit, edited by Jan Schall, Nelson-Atkins Museum of Art, Kansas City, 2000, pp. 35–65.
Antliff, M. “Modernism and Facism: French Fascist Aesthetics Between the Wars.” Re-Thinking Images Between the Wars: New Perspectives in Art History, edited by Oystein Hjort, Museum Tusculantum Press (Copenhagen), 2000, pp. 13–45.
Antliff, M. “The Rhythms of Duration: Bergson and the Art of Matisse.” The New Bergson, edited by John Mullarkey, Manchester: Manchester University Press, 1999, pp. 184–208.
Antliff, M. “Bergson and Poltics and Aesthetics: Aestheticized Politics.” The Encyclopedia of Aesthetics, edited by Michael Kelly, Oxford University Press, 1998.
Antliff, M., and Matthew Affron. “Art and Fascist Ideology in France and Italy: An Introduction.” Fascist Visions: Art and Ideology in France and Italy, edited by Mark Atliff and Matthew Affron, Princeton University Press, 1997.
Antliff, M. Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art. Edited by Philippe Bordes, Les Presses du Réel, 2011.
Antliff, M. “Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915.” Modernism Modernity, vol. 17, no. 1, Jan. 2010, pp. 135–69.
Antliff, M. “Sculpture against the State.” Memoria E Ricerca, vol. 33, 2010, pp. 49–62.
Mark Antliff, M. “Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth.” Burlington Magazine, vol. CLII, no. 1290, 2010, pp. 580–89.
Antliff, M. “Classical violence: Thierry Maulnier, French Fascist Aesthetics and the 1937 Paris World's Fair.” Modernism Modernity, vol. 15, no. 1, Jan. 2008, pp. 45–62. Scopus, doi:10.1353/mod.2008.0001. Full Text
Antliff, M., and A. Antliff. “Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock.” Chicago Review: Special Issue on Kenneth Rexroth, Oct. 2006.
Antliff, M. “Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies.” Journal of Modern History, Apr. 2002, pp. 267–72.
Antliff, M. Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000). Cambridge University Press, Nov. 2001.
Antliff, M. “Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth.” Qui Parle, 2001, pp. 57–102.