Anne Murnick Cogan Professor of Art and Art History
Ph.D., Yale University 1990
M.A., Queen's University 1984
B.A., McGill University (Canada) 1981
Mark Antliff received his Ph.D. from Yale University and is author of Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (1993) and Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939 (2007) as well as co-author of Fascist Visions: Art and Ideology in France and Italy (with Matthew Affron, 1997), Cubism and Culture (with Patricia Leighten, 2001), and A Cubism Reader: Documents and Criticism 1906-1914 (with Patricia Leighten, 2008). His research and teaching interests focus on art in Europe before 1945, with special attention to cultural politics in all its permutations, as well as the interrelation of art and philosophy.
Expertise19th-20th Century European Art, Theory & Criticism
Antliff, Mark. “The Fourth Dimension and Futurism: A Politicized Space.” The Art Bulletin, vol. 82, no. 4, JSTOR, Dec. 2000, pp. 720–720. Crossref, doi:10.2307/3051419. Full Text
Antliff, M. “Cubism in the Shadow of Marx: David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998.” Art History, Sept. 1999, pp. 444–50.
Antliff, M. “David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997.” Modernism/Modernity, Jan. 1999, pp. 167–69.
Antliff, M. “Cubism, futurism, anarchism: The 'aestheticism' of the action d'art group, 1906-1920.” Oxford Art Journal, vol. 21, no. 2, Dec. 1998.
Antliff, M. Romy Golan, Modernity & Nostalgia: Art and Politics between the Wars, 1995. Yale University Press, Sept. 1997.
Antliff, M. “The Jew as anti-artist: Georges Sorel, anti-semitism, and the aesthetics of class consciousness.” Oxford Art Journal, vol. 20, no. 1, Jan. 1997, pp. 50–67. Scopus, doi:10.1093/oxartj/20.1.50. Full Text
Antliff, M. “La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism.” Fascist Visions: Art and Ideology in France and Italy, edited by Mark Antliff and Matthew Affron, Princeton University Press, 1997.
Pratt, S. “Organicism against itself: Cubism, duchamp-villon and the contradictions of modernism.” Word and Image, vol. 12, no. 4, Jan. 1996, pp. 366–88. Scopus, doi:10.1080/02666286.1996.10435439. Full Text
Antlfif, M. “Bergson and Cubism: A reassessment.” Art Journal, Dec. 1988, pp. 341–49.