Mark Antliff

Mark Antliff

Anne Murnick Cogan Professor of Art and Art History

Education

  • Ph.D., Yale University 1990

  • M.A., Queen's University 1984

  • B.A., McGill University (Canada) 1981

Overview

Mark Antliff received his Ph.D. from Yale University and is author of Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (1993) and Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939 (2007) as well as co-author of Fascist Visions: Art and Ideology in France and Italy (with Matthew Affron, 1997), Cubism and Culture (with Patricia Leighten, 2001), and A Cubism Reader: Documents and Criticism 1906-1914 (with Patricia Leighten, 2008). His research and teaching interests focus on art in Europe before 1945, with special attention to cultural politics in all its permutations, as well as the interrelation of art and philosophy.

Expertise

19th-20th Century European Art, Theory & Criticism

Projects

Sculpture Against the State
My new book project, Sculpture Against the State: Anarchism and the Cosmopolitan Avant-Garde, examines how various forms of anarchism and related notions of aestheticized... read more »
Vorticism: New Perspectives
The London-based avant-garde movement Vorticism, like its continental counterparts Cubism and Futurism and its English rival Bloomsbury was created by artists, poets, writers... read more »

Antliff, M., and P. Leighten. Le cubisme devant ses contemporains – Documents et critiques (1906-1914). Les presses du réel, 2019.

Antliff, M., and Scott Klein. Vorticism: New Perspectives. Oxford University Press, 2013.

Antliff, Mark, and Patricia Leighten. A Cubism Reader: Documents and Criticism 1906-1914. University of Chicago Press, 2008.

Antliff, M., and P. Leighten. Cubism and Culture. London and New York: Thames and Hudson, 2001.

Antliff, M. Fascist Visions: Art and Ideology in France and Italy. Edited by Matthew Affron and Mark Antliff, Princeton University Press, 1997.

Antliff, M. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press, 1993.

Antliff, M. “Revolutionary Immanence: Bergson among the Anarchists.” Bergson and the Art of Immanence, edited by John Mullarkey and Charlotte de Mille, Edinburgh University Press, 2013, pp. 94–111.

Antliff, M. “Politicizing the New Sculpture.” Vorticism: New Perspectives, edited by Mark Antliff and Scott Klein, Oxford University Press, 2013, pp. 102–18.

Antliff, Mark. “Introduction: Vorticisms.” Vorticism: New Perspectives, edited by S. Klein and M. Antliff, Oxford University Press, 2013, pp. 1–11.

Antliff, M. “La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound.” Artistes et Partis – Esthétique et Politique (1900-1945), edited by Maria Stavrinaki eds and Maddalena Carli, Presses du réel, 2012.

Antliff, M. “Organicism among the Cubists: The Case of Raymond Duchamp-Villon.” Biocentrism and Modernism, edited by O. Botar and Isabelle Wünsche, Ashgate Publishing, 2011, pp. 161–81.

Antliff, M. “Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art.” Histoire Sociale de l’art: Une Anthologie Critique, edited by Philippe Bordes, Les Presses du Réel, 2011.

Antliff, M. “The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness.” Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation, edited by Matthew Baigel et al., Brandeis University Press, 2010, pp. 19–50.

Antliff, M. “Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound.” The Vorticists: Rebel Artists in London and New York, 1914-1918, Tate Publishing, 2010, pp. 47–57.

Antliff, M. “Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930’s.” Academics, Pompiers, Official Artists and the Arrière-Garde: Defining Tradition in France, 1900-1960, edited by Natalie Adamson and Toby Norris, Cambridge University Press, 2010, 2010, pp. 169–89.

Antliff, M. “’Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914.” ‘We the Moderns’: Gaudier Brzeska and His European Contemporaries, edited by Sebastiano Barassi, Kettles Yard Gallery, 2007, pp. 75–87.

Pages

Antliff, M. “From Class War to Creative Revolution: Bergson, Communitas and the European Left.” Annales Bergsoniennes, Dec. 2014.

Levebre, Alexandre, et al. “Bergson, Politics and Religion.” Symplokē, 2014.

Antliff, M. “Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art.” Journal of Modern Periodical Studies, Oct. 2013.

Antliff, M. “Contagious joy: Anarchism, censorship and the reception of Jacob Epstein's Tomb of Oscar Wilde, c. 1913.” Journal of Modern Periodical Studies, vol. 4, no. 2, Jan. 2013, pp. 195–225. Scopus, doi:10.5325/jmodeperistud.4.2.0195. Full Text

Antliff, M. “Nasjonens kroppslighet: kubisme og keltisk nasjonalisme.” Paginert Utgave I Teori & Praksis, vol. 1, 2012, pp. 1–19.

Antliff, M. “Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left.” Anarchist Developments in Cultural Studies, no. 2, 2012, pp. 155–87.

Antliff, M. “Shaping duration: Bergson and modern sculpture.” European Legacy, vol. 16, no. 7, Dec. 2011, pp. 899–918. Scopus, doi:10.1080/10848770.2011.626194. Full Text

Antliff, M. “Drawing the Vortex.” Tate, Etc., June 2011, pp. 36–41.

Antliff, M. “Mitos de revolución: fascismo de vanguardia en Francia.” Afinidades. Revista De Literatura Y Pensamiento, May 2011, pp. 23–35.

Pages

The Vorticists: Rebel Artists in London and New York, 1914-1918. Creator. (2010)

Abstract

Co-curated with Vivien Greene, Curator, Solomon R. Guggenheim Museum, New York., 2010-2011, Venues included The Nasher Museum of Art, Duke University; The Peggy Guggenheim Collection, Venice; Tate Britain, London (September 2010-September 2011).

Fall 2019

Hst of Impressionism (ARTHIST 298.01)
Smith Wrhs A266, TuTh 10:05 AM-11:20 AM
Special Topics (ARTHIST 590S.01)
Smith Wrhs A101, Th 01:25 PM-03:55 PM

Spring 2019

European Art 1900-1945 (ARTHIST 280.01)
Smith Wrhs A290, TuTh 03:05 PM-04:20 PM

Spring 2018

Arthist Methodology and Theory (ARTHIST 395S.01)
Smith Wrhs A285, W 11:45 AM-02:15 PM
Hst of Impressionism (ARTHIST 298.01)
Smith Wrhs A266, TuTh 03:05 PM-04:20 PM

Fall 2017

Methodology of Art Hst (ARTHIST 543S.01)
Smith Wrhs A290, Tu 01:25 PM-03:55 PM

Fall 2015

Hst of Impressionism (ARTHIST 298.01)
East Duke 108, MW 03:05 PM-04:20 PM
Grant Writing and Prospectus (ARTHIST 723S.01)
Smith Wrhs 271, W 10:05 AM-12:35 PM

Spring 2015

Intro to History of Art (ARTHIST 102D.001)
East Duke 108, WF 10:05 AM-10:55 AM

Fall 2014

European Art 1900-1945 (ARTHIST 280.01)
East Duke 108, MW 03:05 PM-04:20 PM
Special Topics (ARTHIST 590S.01)
East Duke 204A, W 10:05 AM-12:35 PM

Spring 2014

Hst of Impressionism (ARTHIST 298.01)
East Duke 108, TuTh 10:05 AM-11:20 AM