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Neil McWilliam

Walter H. Annenberg Distinguished Professor of Art and Art History
Art, Art History & Visual Studies
Box 90764, Dept. of Art and Art History, Durham, NC 27708-0764
114 S Buchanan Avenue, Bay 9, Dept of Art and Art History, Durham, NC 27708

Overview


Neil McWilliam received his D.Phil. from the University of Oxford. His publications include Dreams of Happiness. Social Art & the French Left 1830-1850 (with a revised translation in French, 2007) and Monumental Intolerance, Jean Baffier, A Nationalist Sculptor in fin-de-siècle France and A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic 1831-1851 . His research focuses on the visual culture of nineteenth- and early twentieth-century France, and in particular, on public sculpture, the Academy, art criticism, and the inter- relationship between aesthetics and political ideologies during the period. In recent years, McWilliam has published widely on the relationship between conservative politics and the arts in France, exploring the impact of nationalist groupings on artistic production, critical writing and art history in the decades before the First World War. His ongoing interest in the career of Symbolist painter Emile Bernard involves a particular focus on this artist's turn in the 1890s towards a strongly traditionalist artistic practice, and its ramifications for understanding the relationship between tradition and innovation in fin-de-siècle French art.

Current Appointments & Affiliations


Walter H. Annenberg Distinguished Professor of Art and Art History · 2003 - Present Art, Art History & Visual Studies, Trinity College of Arts & Sciences
Professor Emeritus of Art, Art History and Visual Studies · 2024 - Present Art, Art History & Visual Studies, Trinity College of Arts & Sciences

Education, Training & Certifications


University of Oxford (United Kingdom) · 1985 Ph.D.
University of Oxford (United Kingdom) · 1976 B.A.