Richard J. Powell
John Spencer Bassett Professor of Art and Art History
Ph.D., Yale University 1988
M.Phil., Yale University 1984
M.A., Yale University 1982
M.F.A., Howard University 1977
B.A., Morehouse College 1975
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
ExpertiseAfrican American art, African art, art of the United States
Powell, RJ. From the Potomac to the Anacostia: Art and Ideology in the Washington Area. Washington, DC: Washington Project for the Arts, 1989. (Exhibition Catalog)
Powell, RJ. James Lesesne Wells: Sixty Years in Art. Washington, DC: Washington Project for the Arts, 1986. (Exhibition Catalog)
Powell, RJ. Rhapsodies in Black: The Art of the Harlem Renaissance. Berkeley: University of California Press. (Exhibition Catalog)
Powell, RJ. ""Tanner and Transcendence"." Henry Ossawa Tanner: Modern Spirit. Ed. AO Marley. Berkeley: University of California Press, 2012. 56-65.
Powell, RJ. ""The Woodshed"." Romare Bearden: American Modernist. Ed. R Fine and J Francis. National Gallery of Art, 2011. 200-2006.
Powell, RJ. ""Trembling Vistas, Primal Youth: William H. Johnson’s Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson’s Florence, South Carolina Paintings, circa 1944"." William H. Johnson: An American Modern. University of Washington Press, 2011. 22-101.
Powell, RJ. ""From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe"." The Migrant’s Time: Rethinking Art History and Diaspora. Ed. S Mathur. Sterling and Francine Clark Institute, 2011. 78-90.
Powell, RJ. ""The Systems and Semiotics of Ras Ishi Butcher"." Ras Ishi/Secret Diaries. Miller Publishing Company, Ltd., 2009. 19-27.
Powell, RJ. ""Unexpected Faces in Public Places"." Who Am I in This Picture? Amherst College Portraits. Amherst College, 2009. 8-15.
Powell, RJ. ""Barkley L. Hendricks, Anew"." Barkley L. Hendricks/Birth of the Cool. Ed. T Schoonmaker. Nasher Museum of Art at Duke University, 2008. 38-57.
Powell, RJ. ""Paesaggio come evasion. Soggezione e affrancamento nelle immagini ottocentesche di afroamericani"." Pittura Americana del XIX secolo: Atti del convegno. Ed. M Goldin and HB Weinberg. Linea d’Ombra Libri, 2008. 116-136.
Powell, RJ, Powell, RJ, and Puryear, M. ""A Conversation with Martin Puryear"." Martin Puryear. Ed. J Elderfield. Museum of Modern Art, New York, 2007. 99-110.
Powell, RJ. ""The Aaron Douglas Effect"." Aaron Douglas: African American Modernist. Ed. S Earle. Yale University Press, New Haven, CT, 2007. 53-73.
Powell, RJ. "Appreciation. Jacob Lawrence: Keep on Movin’." American Art 15 (March 2001): 90-93. (Academic Article)
Powell, RJ. "On Alain Locke and James Porter." Hatch-Billops Collection, Inc./Artist and Influence 11 (1998): 1-8.
Powell, RJ. "Cinqué: Antislavery Portraiture and Patronage in Jacksonian America." American Art 11.3 (October 1997): 49-73. Full Text
Powell, RJ. "Art of the Harlem Renaissance." Art Bulletin 77 (September 1, 1995): 132-137.
POWELL, RJ. "ART, HISTORY, AND VISION." ART BULLETIN 77.3 (September 1995): 379-382.
POWELL, RJ. "IMAGES AND IDENTITIES + EDITORIAL - A BRIEF, INTRODUCTORY NOTE." INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART 11.3 (1994): 6-6.
Powell, RJ. "The Art of Raymond Saunders: Colored." New Observations 97 (1993): 10-15.
Powell, RJ. "What Becomes a Legend Most? Reflections on Romare Bearden." Transition 55 (1992): 62-72.
Powell, RJ. ""In My Family of Primitiveness and Tradition": William H. Johnson's "Jesus and the Three Marys"." American Art 5.4 (October 1991): 21-33. Full Text