Richard J. Powell
John Spencer Bassett Professor of Art and Art History
Ph.D., Yale University 1988
M.Phil., Yale University 1984
M.A., Yale University 1982
M.F.A., Howard University 1977
B.A., Morehouse College 1975
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
ExpertiseAfrican American art, African art, art of the United States
Powell, R. J. From the Potomac to the Anacostia: Art and Ideology in the Washington Area. Washington Project for the Arts, 1989.
Powell, R. J. James Lesesne Wells: Sixty Years in Art. Washington Project for the Arts, 1986.
Powell, R. J. Rhapsodies in Black: The Art of the Harlem Renaissance. University of California Press.
Powell, Richard J. “"Tanner and Transcendence".” Henry Ossawa Tanner: Modern Spirit, edited by Anna O. Marley, Berkeley: University of California Press, 2012, pp. 56–65.
Powell, Richard J. “"From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe".” The Migrant’s Time: Rethinking Art History and Diaspora, edited by Saloni Mathur, Sterling and Francine Clark Institute, 2011, pp. 78–90.
Powell, Richard J. “"The Woodshed".” Romare Bearden: American Modernist, edited by Ruth Fine and Jacqueline Francis, National Gallery of Art, 2011, pp. 200–2006.
Powell, Richard J. “"Trembling Vistas, Primal Youth: William H. Johnson’s Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson’s Florence, South Carolina Paintings, circa 1944".” William H. Johnson: An American Modern, University of Washington Press, 2011, pp. 22–101.
Powell, Richard J. “"The Systems and Semiotics of Ras Ishi Butcher".” Ras Ishi/Secret Diaries, Miller Publishing Company, Ltd., 2009, pp. 19–27.
Powell, Richard J. “"Unexpected Faces in Public Places".” Who Am I in This Picture? Amherst College Portraits, Amherst College, 2009, pp. 8–15.
Powell, Richard J. “"Barkley L. Hendricks, Anew".” Barkley L. Hendricks/Birth of the Cool, edited by Trevor Schoonmaker, Nasher Museum of Art at Duke University, 2008, pp. 38–57.
Powell, Richard J. “"Paesaggio come evasion. Soggezione e affrancamento nelle immagini ottocentesche di afroamericani".” Pittura Americana Del XIX Secolo: Atti Del Convegno, edited by Marco Goldin and H Barbara Weinberg, Linea d’Ombra Libri, 2008, pp. 116–36.
Powell, R. J., et al. “"A Conversation with Martin Puryear".” Martin Puryear, edited by John Elderfield, Museum of Modern Art, New York, 2007, pp. 99–110.
Powell, Richard J. “"The Aaron Douglas Effect".” Aaron Douglas: African American Modernist, edited by Susan Earle, Yale University Press, New Haven, CT, 2007, pp. 53–73.
Powell, Richard J. “Appreciation. Jacob Lawrence: Keep on Movin’.” American Art, vol. 15, Mar. 2001, pp. 90–93.
Powell, R. J. “On Alain Locke and James Porter.” Hatch Billops Collection, Inc./Artist and Influence, vol. 11, 1998, pp. 1–8.
Powell, Richard J. “Cinqué: Antislavery Portraiture and Patronage in Jacksonian America.” American Art, vol. 11, no. 3, University of Chicago Press, Oct. 1997, pp. 49–73. Crossref, doi:10.1086/424304. Full Text
Powell, R. J. “Art of the Harlem Renaissance.” Art Bulletin, vol. 77, Sept. 1995, pp. 132–37.
POWELL, R. J. “ART, HISTORY, AND VISION.” Art Bulletin, vol. 77, no. 3, Sept. 1995, pp. 379–82.
POWELL, R. J. “IMAGES AND IDENTITIES + EDITORIAL - A BRIEF, INTRODUCTORY NOTE.” International Review of African American Art, vol. 11, no. 3, 1994, pp. 6–6.
Powell, R. J. “The Art of Raymond Saunders: Colored.” New Observations, vol. 97, 1993, pp. 10–15.
Powell, R. J. “What Becomes a Legend Most? Reflections on Romare Bearden.” Transition, vol. 55, 1992, pp. 62–72.
Powell, Richard J. “"In My Family of Primitiveness and Tradition": William H. Johnson's "Jesus and the Three Marys".” American Art, vol. 5, no. 4, University of Chicago Press, Oct. 1991, pp. 21–33. Crossref, doi:10.1086/424127. Full Text