Richard J. Powell

Richard J. Powell

John Spencer Bassett Professor of Art and Art History

Education

  • Ph.D., Yale University 1988

  • M.Phil., Yale University 1984

  • M.A., Yale University 1982

  • M.F.A., Howard University 1977

  • B.A., Morehouse College 1975

Overview

Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989.  He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University.  Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).

Expertise

African American art, African art, art of the United States

Projects

Cutting a Figure: Fashioning Black Portraiture
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs... read more »

Powell, Richard J. African American Art: Harlem Renaissance, Civil Rights Era and Beyond. Washington, DC: Smithsonian American Art Museum, 2012.

Powell, Richard J. Ras Ishi/Secret Diaries. Miller Publishing Company, Ltd., 2009.

Powell, Richard J. Who Am I in This Picture? Amherst College Portraits. Amherst College, 2009.

Powell, R. J. Cutting a Figure: Fashioning Black Portraiture. University of Chicago Press, 2008.

Powell, R. J. Circle Dance: The Art of John T. Scott. University Press of Mississippi, 2005.

Powell, R. J. Black Art: A Cultural History. London: Thames and Hudson, Ltd., 2002.

Powell, R. J. Beauford Delaney: The Color Yellow. High Museum of Art, 2002.

Powell, R. J. Jacob Lawrence. New York: Rizzoli International Publications, Inc., 1992.

Powell, R. J. Homecoming: The Art and Life of William H. Johnson. New York: W. W. Norton, 1991.

Pages

Powell, R. J. “"Porch and Drawl".” Southern Accent: Seeking the American South in Contemporary Art, edited by Miranda Lash and Trevor Schoonmaker, Nasher Museum of Art at Duke University, 2016, pp. 106–19.

Powell, R. J. “"Wounded Zouave and the Cyrenian Paradigm".” The Civil War in Art and Memory, edited by Kirk Savage, National Gallery of Art, 2016, pp. 65–80.

Powell, R. J. “"I Talismani di Betye Saar".” Betye Saar: Uneasy Dancer, edited by Mario Marinetti, Fondazione Prada, 2016, pp. 233–41.

Powell, R. J. “"Les ames illustrees: W. E. B. Du Bois dans l'art contemporain".” The Color Line: Les Artistes Africains-Americains et La Segregation, edited by Daniel Soutif, Flammarion, 2016, pp. 74–85.

Powell, R. J. “Probability Theory: David Hammons's Money Tree.” Open This End: Contemporary Art from the Collection of Blake Byrne, edited by R. J. Wolin, Joseph R., The Skylark Foundation, 2015, pp. 42–49.

Powell, R. J. “"Dem Shoes": Thomas Hart Benton's Romance.” American Epics: Thomas Hart Benton and Hollywood, edited by A. Bailly, Delmonico Books - Prestel, 2015, pp. 83–87.

Powell, R. J. “Walking on Water: Embodiment, Abstraction, and Black Visuality.” Represent: 200 Years of African American Art in the Philadelphia Museum of Art, edited by R. J. Shaw, Gwendolyn DuBois, 2014, pp. 1–19.

Powell, R. J. “New Negroes, Harlem, and Jazz (1900-1950).” The Image of the Black in Western Art, edited by D. Bindman and H. L. Gates, Harvard University Press, 2014, pp. 53–104.

Powell, Richard J. “"Foreword: Augustus Saint-Gaudens’ Devotional Memorial".” Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial, edited by Sarah Greenough and Nancy Anderson, Yale University Press, 2013, pp. xv–185.

Powell, Richard J. “"Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse".” African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Washington, DC: Smithsonian American Art Museum, 2012, pp. 12–33.

Pages

Powell, Richard J. “Who’s Zoomin’ Who?: The Eyes of Donyale Luna.” Nka Journal of Contemporary African Art, vol. 2016, no. 38–39, Duke University Press, Nov. 2016, pp. 14–21. Crossref, doi:10.1215/10757163-3641634. Full Text

Oliver, Valerie Cassell, and Richard J. Powell. “"Richard Powell/'Say it Loud': An Interview with Richard Powell by Valerie Cassel Oliver".” Callaloo, vol. 38, no. 4, Johns Hopkins University Press, 2016, pp. 985–95.

Powell, Richard J. “Rechercher et imaginer l’art « black » américain depuis 2005.” Perspective, no. 2, OpenEdition, Dec. 2015, pp. 81–94. Crossref, doi:10.4000/perspective.6159. Full Text Open Access Copy

Powell, Richard J. “Freeman Henry Morris Murray: Emancipation and the Freed in American Sculpture.” The Art Bulletin, vol. 95, Dec. 2013, pp. 646–49.

Powell, Richard J. “Emancipation and the Freed in American Sculpture.” Art Bulletin, vol. 95, no. 4, Dec. 2013, pp. 646–49.

Powell, Richard J. “The Woodshed.” Studies in the History of Art, vol. 71, 2011, pp. 199–206.

Powell, Richard J. “'Paint That Thing!' Aaron Douglas's Call to Modernism.” American Studies, vol. 46, 2010, pp. 107–19.

Powell, Richard J. “The Picturesque, Miss Nottage and the Caribbean Sublime.” Small Axe: A Caribbean Journal of Criticism, vol. 25, Feb. 2008, pp. 157–68.

Powell, Richard J. “PAINT IN THE NAME OF LOVE.” International Review of African American Art, vol. 22, no. 2, 2008, pp. 64–65.

Powell, Richard J. “Linguists, Poets, and ‘Others’ on African American Art.” American Art, vol. 17, Mar. 2003, pp. 16–19.

Pages

Powell, R. J. African and Afro-American Art: Call and Response. Field Museum, 1984.

Sonia Boyce: Crop Over. Curator. (2011)

Embodied: African American Images in Contemporary Art. Creator. (2010)

Abstract

"Embodied: African American Images in Contemporary Art", September, 2010, David C. Driskell Center, University of Maryland, College Park, MD

Back to Black: Art, Cinema and the Racial Imaginary. Curator. (2005)

Abstract

Back to Black: Art, Cinema and the Racial Imaginary, 2005, Whitechapel Art Gallery, London, England & Walsall Art Gallery, Birmingham, England

Beauford Delaney: The Color Yellow. Curator. (2002)

Abstract

Toured nationally

To Conserve a Legacy: American Art from Historically Black Colleges and Universities: The Digital Exhibition. Curator. Huffington Post Black Voices (2000)

Abstract

30 page manuscript and recorded narration of the virtual exhibition tour (at http://www.africana.com)

Rhapsodies in Black: Music and Words from the Harlem Renaissance. Consultant, Curator. (2000)

Abstract

10 page manuscript, essay, and “creative consultant” for a CD box set, Rhino Records R2 79874

Selected Grants

Edmond J. Safra Visiting Professorship awarded by (Principal Investigator). 2019

(98-0601) Beyond Mere Likeness: Protraits from Africa and African Diaspora awarded by Josiah Charles Trent Memorial Foundation (Principal Investigator). 1998 to 1999

Fall 2019

The Black Atlantic (ARTHIST 383.01)
Smith Wrhs A290, MW 01:25 PM-02:40 PM
African American Art (ARTHIST 283.01)
Smith Wrhs A266, MW 08:30 AM-09:45 AM

Fall 2018

African Art: Court/marketplace (ARTHIST 345.01)
Smith Wrhs A266, MW 10:05 AM-11:20 AM
Perform Gender/exhibit Race (VMS 512S.01)
Smith Wrhs A290, W 01:25 PM-03:55 PM

Spring 2018

African American Art (ARTHIST 283.01)
Smith Wrhs A266, TuTh 10:05 AM-11:20 AM
Black Visual Theory (VMS 555S.01)
Smith Wrhs A290, Th 03:05 PM-05:35 PM

Spring 2017

Art of the US (ARTHIST 384.01)
Smith Wrhs A266, TuTh 10:05 AM-11:20 AM
Outsiders and Insiders (ARTHIST 715S.01)
Smith Wrhs A290, Th 01:40 PM-04:10 PM

Fall 2015

African American Art (ARTHIST 283.01)
East Duke 209, WF 10:05 AM-11:20 AM

Fall 2014

Black Visual Theory (VMS 555S.01)
East Duke 204A, M 03:05 PM-05:35 PM

Spring 2014

The Black Atlantic (ARTHIST 383.01)
East Duke 108, TuTh 03:05 PM-04:20 PM
Art of the US (ARTHIST 384.01)
East Duke 204B, TuTh 10:05 AM-11:20 AM