Richard J. Powell
John Spencer Bassett Professor of Art and Art History
Ph.D., Yale University 1988
M.Phil., Yale University 1984
M.A., Yale University 1982
M.F.A., Howard University 1977
B.A., Morehouse College 1975
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
ExpertiseAfrican American art, African art, art of the United States
Powell, Richard J. African American Art: Harlem Renaissance, Civil Rights Era and Beyond. Washington, DC: Smithsonian American Art Museum, 2012.
Powell, Richard J. Ras Ishi/Secret Diaries. Miller Publishing Company, Ltd., 2009.
Powell, Richard J. Who Am I in This Picture? Amherst College Portraits. Amherst College, 2009.
Powell, R. J. Cutting a Figure: Fashioning Black Portraiture. University of Chicago Press, 2008.
Powell, R. J. Circle Dance: The Art of John T. Scott. University Press of Mississippi, 2005.
Powell, R. J. Black Art: A Cultural History. London: Thames and Hudson, Ltd., 2002.
Powell, R. J. Beauford Delaney: The Color Yellow. High Museum of Art, 2002.
Powell, R. J. To Conserve a Legacy: American Art from Historically Black Colleges and Universities. MIT Press, 1999.
Powell, R. J. Jacob Lawrence. New York: Rizzoli International Publications, Inc., 1992.
Powell, R. J. Homecoming: The Art and Life of William H. Johnson. New York: W. W. Norton, 1991.
Powell, R. J. “"Porch and Drawl".” Southern Accent: Seeking the American South in Contemporary Art, edited by Miranda Lash and Trevor Schoonmaker, Nasher Museum of Art at Duke University, 2016, pp. 106–19.
Powell, R. J. “"Wounded Zouave and the Cyrenian Paradigm".” The Civil War in Art and Memory, edited by Kirk Savage, National Gallery of Art, 2016, pp. 65–80.
Powell, R. J. “"I Talismani di Betye Saar".” Betye Saar: Uneasy Dancer, edited by Mario Marinetti, Fondazione Prada, 2016, pp. 233–41.
Powell, R. J. “"Les ames illustrees: W. E. B. Du Bois dans l'art contemporain".” The Color Line: Les Artistes Africains-Americains et La Segregation, edited by Daniel Soutif, Flammarion, 2016, pp. 74–85.
Powell, R. J. “"Dem Shoes": Thomas Hart Benton's Romance.” American Epics: Thomas Hart Benton and Hollywood, edited by A. Bailly, Delmonico Books - Prestel, 2015, pp. 83–87.
Powell, R. J. “Probability Theory: David Hammons's Money Tree.” Open This End: Contemporary Art from the Collection of Blake Byrne, edited by R. J. Wolin, Joseph R., The Skylark Foundation, 2015, pp. 42–49.
Powell, R. J. “Walking on Water: Embodiment, Abstraction, and Black Visuality.” Represent: 200 Years of African American Art in the Philadelphia Museum of Art, edited by R. J. Shaw, Gwendolyn DuBois, 2014, pp. 1–19.
Powell, R. J. “New Negroes, Harlem, and Jazz (1900-1950).” The Image of the Black in Western Art, edited by D. Bindman and H. L. Gates, Harvard University Press, 2014, pp. 53–104.
Powell, Richard J. “"Foreword: Augustus Saint-Gaudens’ Devotional Memorial".” Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial, edited by Sarah Greenough and Nancy Anderson, Yale University Press, 2013, pp. xv–185.
Powell, Richard J. “"Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse".” African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Washington, DC: Smithsonian American Art Museum, 2012, pp. 12–33.
Powell, Richard J. “Who’s Zoomin’ Who?: The Eyes of Donyale Luna.” Nka Journal of Contemporary African Art, vol. 2016, no. 38–39, Duke University Press, Nov. 2016, pp. 14–21. Crossref, doi:10.1215/10757163-3641634. Full Text
Oliver, Valerie Cassell, and Richard J. Powell. “"Richard Powell/'Say it Loud': An Interview with Richard Powell by Valerie Cassel Oliver".” Callaloo, vol. 38, no. 4, Johns Hopkins University Press, 2016, pp. 985–95.
Powell, Richard J. “Rechercher et imaginer l’art « black » américain depuis 2005.” Perspective, no. 2, OpenEdition, Dec. 2015, pp. 81–94. Crossref, doi:10.4000/perspective.6159. Full Text Open Access Copy
Powell, Richard J. “Emancipation and the Freed in American Sculpture.” Art Bulletin, vol. 95, no. 4, Dec. 2013, pp. 646–49.
Powell, Richard J. “Freeman Henry Morris Murray: Emancipation and the Freed in American Sculpture.” The Art Bulletin, vol. 95, Dec. 2013, pp. 646–49.
Powell, Richard J. “The Woodshed.” Studies in the History of Art, vol. 71, 2011, pp. 199–206.
Powell, Richard J. “'Paint That Thing!' Aaron Douglas's Call to Modernism.” American Studies, vol. 46, 2010, pp. 107–19.
Powell, Richard J. “The Picturesque, Miss Nottage and the Caribbean Sublime.” Small Axe: A Caribbean Journal of Criticism, vol. 25, Feb. 2008, pp. 157–68.
Powell, Richard J. “PAINT IN THE NAME OF LOVE.” International Review of African American Art, vol. 22, no. 2, 2008, pp. 64–65.
Powell, Richard J. “Linguists, Poets, and ‘Others’ on African American Art.” American Art, vol. 17, Mar. 2003, pp. 16–19.
Archibald Motley: Jazz Age Modernist. Curator. (2014)
Sonia Boyce: Crop Over. Curator. (2011)
Embodied: African American Images in Contemporary Art. Creator. (2010)
"Embodied: African American Images in Contemporary Art", September, 2010, David C. Driskell Center, University of Maryland, College Park, MD
Back to Black: Art, Cinema and the Racial Imaginary. Curator. (2005)
Back to Black: Art, Cinema and the Racial Imaginary, 2005, Whitechapel Art Gallery, London, England & Walsall Art Gallery, Birmingham, England
Circle Dance: The Art of John T. Scott. Creator. (2005)
Beauford Delaney: The Color Yellow. Curator. (2002)
30 page manuscript and recorded narration of the virtual exhibition tour (at http://www.africana.com)
Rhapsodies in Black: Music and Words from the Harlem Renaissance. Consultant, Curator. (2000)
10 page manuscript, essay, and â€œcreative consultantâ€ for a CD box set, Rhino Records R2 79874
Membership. American Academy of Arts and Sciences. October 2018
Distinguished Scholar Session. College Art Association. February 2016
Edmond J. Safra Visiting Professorship awarded by National Gallery of Art (Principal Investigator). 2019
(98-0601) Beyond Mere Likeness: Protraits from Africa and African Diaspora awarded by Josiah Charles Trent Memorial Foundation (Principal Investigator). 1998 to 1999