Research Professor of Art, Art History, and Visual Studies
Ph.D., University of Rochester 2000
M.A., University of Rochester 1996
M.A., Indiana University at Bloomington 1992
B.A., Williams College 1990
My primary teaching and research interests are in the intersection of digital humanities and technology, media, and information studies, especially in relation to spatial, immersive, and interactive media forms. My current focus is on the study and creation of augmented reality experiences in urban, exurban, and exhibition contexts. Recent collaborative, archives-driven digital projects include Digital Durham, NC Jukebox (NC mountain music), and Ghett/App (architectural history of the Venetian Ghetto). A new project, Visualizing Lovecraft, explores the digital remediation of fictive places and spaces as a form of literary adaptation. I also co-create video game based art installations with Psychasthenia Studio, and engage in digital arts curation projects as Chair of the ACM SIGGRAPH Digital Arts Community. Some of my recent written work has appeared in Media and Communication, the Routledge Companion to Media Studies and Digital Humanities, and the recent CLIR report on 3D/VR in the Academic Library.
I also have a strong interest in interdisciplinary and lab-based approaches to scholarship and to the hybrid futures of higher education. I currently direct the Information Science+Studies Certificate Program and the Digital Art History/Computational Media MA in Art, Art History & Visual Studies, and was founding DGS for the interdisciplinary PhD in Computational Media, Arts & Cultures. I also collaborate in the Wired Lab for Digital Art History & Visual Culture. At the John Hope Franklin Humanities Institute I lead the Duke Digital Humanities Initiative, where I co-direct the PhD Lab in Digital Knowledge and the NCCU-Duke Digital Humanities Fellows Program. I am co-lead of the Bass Connections Information, Society & Culture theme, and partner in the Duke Game Lab. I am also involved in faculty governance, serving on the Executive Committee of the Academic Council (ECAC) for 2018-20 and the Undergraduate Education Committee with the Board of Trustees for 2019-20.
Before coming to Duke, I worked as an Academic Technology Specialist and Manager at Stanford University. I have a PhD from the University of Rochester in English, where I studied 19th century British literature and culture, sensationalism, and women's authorship. I also have a Certificate from the Susan B. Anthony Institute for Research on Women and Gender. I got my start in DH with the Camelot Project in the Robbins Library.
ExpertiseSpatial media, mobile applications, media history, digital humanities, visualization, information science and information studies
Szabo, V. E. “Transforming Art History Research with Database Analytics: Visualizing Art Markets.” Art Documentation: Journal of the Art Libraries Society of North America, vol. 31, no. 2, Oct. 2012, pp. 158–75.
Jenson, Deborah, et al. “Cholera IN Haiti.” Emerging Infectious Diseases, edited by Center for Disease Control and Center for Disease Prevention, vol. 17, Nov. 2011.
Jenson, Deborah, et al. “Cholera in Haiti and other Caribbean regions, 19th century.” Emerging Infectious Diseases, vol. 17, no. 11, Nov. 2011, pp. 2130–35. Epmc, doi:10.3201/eid1711.110958. Full Text Open Access Copy
A New Kind of Work: Articulating and Evaluating Excellence in Digital Scholarship (convener). Session sponsored by the Office of Scholarly Communications . Modern Language Association. January 15, 2015