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| Class | Class Title | Instructor |
| ARTHIST 102D | WORLD ART HISTORY 1200-PRESENT | Nubia Nurain Khan |
| ARTHIST105CNS | MAPPING THE COSMOS | Andrew Griebeler |
| ARTHIST106CNS | CONQUERING THE COSMOS | Angelina Lucento |
| ARTHIST143CNS | THE ARCHAEOLOGY OF DEATH | Alicia Jimenez |
| ARTHIST178CNS | MUSEUMS AND COLONIALITY | Katryn Williams Evinson |
| ARTHIST 206 | EARLY GREEK ARCHAEOLOGY | Catharine Judson |
| ARTHIST 215S | WOMEN IN THE CLASSICAL WORLD | Emily Mohr |
| ARTHIST 218 | MODERN & GLOBAL INDIA | Avrati Bhatnagar |
| ARTHIST 220 | MUSEUM THEORY AND PRACTICE | Julia McHugh |
| ARTHIST 225 | GOTHIC CATHEDRALS | Edward Triplett |
| ARTHIST 228 | ARTS POLICY AND LEADERSHIP | Andrew Nurkin |
| ARTHIST 235 | INTRO TO MODERN REALISM | Angelina Lucento |
| ARTHIST 238 | SCIENCE FICTION FILM | Priscilla Wald |
| ARTHIST 280 | AVANT-GARDE ART 1900-1945 | Dore Solomon |
| ARTHIST 303 | HIST OF PHOTO 1839-PRESENT | Mira Xenia Schwerda |
| ARTHIST 311 | MUSEUM PRACTICUM II (Field Studies) | Ellen Raimond |
| ARTHIST 349S | RENAISSANCE ARCH. IN ITALY | Sara Galletti |
| ARTHIST 426S | FRANCE-ASIA:GLOBALIZED CONTEXT | Anne-Gaelle Saliot |
| ARTHIST 437S | ART AND HISTORY OF BOTANY | Andrew Griebeler |
| ARTHIST 442S | THE CITY IMAGINED | Sara Galletti |
| ARTHIST 475S | QUEER EXPERIENCE & ART | Dore Solomon |
| ARTHIST 495S | HONORS THESIS WORKSHOP | Sheila Dillon, Gennifer Weisenfeld |
| ARTHIST 520S | ROMAN PROVINCIAL ARCHAEOLOGY | Alicia Jimenez |
| ARTHIST 557S | TRAUMA IN ART, LITERATURE, FILM & VISUAL CULTURE | Mira Xenia Schwerda, Kristine Stiles |
| ARTHIST 582S | COPIES AND DUPLICATION | Stanley Abe |
| ARTHIST 717S | POLITICS OF MEMORIALIZATION | Paul Jaskot |
| ARTHIST 719S | CREATIVE CARTOGRAPHY | Edward Triplett |
| ARTHIST 726 | MUSEUM THEORY AND PRACTICE | Julia McHugh |
| ARTHIST 742S | THE CITY IMAGINED | Sara Galletti |
| ARTSVIS 119S | INTRO TO DIGITAL PHOTOGRAPHY | Katelyn Lester |
| ARTSVIS 120 | COMPOSITIONAL PAINTING | Leonid Tsvetkov |
| ARTSVIS 198 | EXPERIMENTAL INTERFACE DESIGN | William Seaman |
| ARTSVIS 199 | DRAWING | Pedro Lasch |
| ARTSVIS 199 | DRAWING | Annabel Wharton |
| ARTSVIS 203 | INTRO TO ARCHITECTURAL DESIGN | Augustus Wendell |
| ARTSVIS 206 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| ARTSVIS 207S | COMICS AND ZINES | William Fick |
| ARTSVIS 210 | SCULPTURE | Stephen Hayes |
| ARTSVIS 226 | PRINTMAK:RELIEF/MONOTYPE | William Fick |
| ARTSVIS 228 | ARTS POLICY AND LEADERSHIP | Andrew Nurkin |
| ARTSVIS 232S | SMALL TOWN USA | Anna Post-Rust |
| ARTSVIS 234S | SCENE DESIGN | Torry Bend |
| ARTSVIS 236L | COSTUME CONSTRUCTION | Hannah Haverkamp |
| ARTSVIS 238 | DIGITAL PRINTMAKING | William Fick |
| ARTSVIS 248S | CINEMATOGRAPHY | Stephen Milligan |
| ARTSVIS 249S | THE PHOTOBOOK | Katelyn Lester |
| ARTSVIS 263S | REPRESENTING BREAST CANCER | Kimberly Lamm |
| ARTSVIS 303S | WRITING THE SHORT FILM | Gary Hawkins |
| ARTSVIS 311S | VIDEO, ART, POLITICS | Jenny Lion |
| ARTSVIS 320 | ADVANCED PAINTING | Leonid Tsvetkov |
| ARTSVIS 326S | FILM ANIMATION PRODUCTION | Douglas Herbert |
| ARTSVIS 340S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| ARTSVIS 375S | RECYCLED CINEMA | Jason Sudak |
| ARTSVIS 448S | ADVANCED ART RESEARCH AND LAB | Pedro Lasch |
| ARTSVIS 453S | CINEMATOGRAPHY II | Stephen Milligan |
| ARTSVIS 495S | HONORS THESIS WORKSHOP | Sheila Dillon, Gennifer Weisenfeld |
| ARTSVIS 499S | ARTSVIS/CINE ARTS SENIOR CAPSTONE | Raquel Salvatella De Prada |
| ARTSVIS 499S | ARTSVIS/CINE ARTS SENIOR CAPSTONE | Shambhavi Kaul, Saleem Reshamwala |
| ARTSVIS 502S | ANALOG FILMMAKING AND DARKROOM | Joshua Gibson |
| ARTSVIS 564S | PHYSICAL COMPUTING | Mark Olson |
| ARTSVIS 571S | ART AS WORK | Sarah Wilbur |
| ARTSVIS 575S | GENERATIVE MEDIA AUTHORSHIP | William Seaman, John Supko |
| ARTSVIS 706 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| ARTSVIS 710 | SCULPTURE | Stephen Hayes |
| ARTSVIS 711S | VIDEO, ART, POLITICS | Jenny Lion |
| ARTSVIS 719S | CREATIVE CARTOGRAPHY | Edward Triplett |
| ARTSVIS 724L | CERAMICS | Stephen Hayes |
| ARTSVIS 740S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| ARTSVIS 748S | ADVANCED ART RESEARCH AND LAB | Pedro Lasch |
| ARTSVIS 753S | CINEMATOGRAPHY II | Stephen Milligan |
| ARTSVIS 775S | RECYCLED CINEMA | Jason Sudak |
| ARTSVIS 790S | SP TOPS VISARTS MEDIA THEORY TODAY | Mark Hansen |
| CINE 173CNL | AI IN CINEMA | Caitlin Nemecek |
| CINE 201 | INTRO TO FILM STUDIES | Gustavo Furtado |
| CINE 203S | FILM THEORY | Markos Hadjioannou |
| CINE 205 | CONTEMPORARY DOCUMENTARY FILM | Thomas Rankin, Brenda Vienrich-Felling |
| CINE 210 | FILM GENRES | Departmental Staff |
| CINE 215 | HISTORY OF ANIMATED FILM | Douglas Herbert |
| CINE 216 | CINEMATIC AUTHORSHIP | Franklin Cason |
| CINE 218S | HORROR FILM | Brenda Vienrich-Felling |
| CINE 220S | PRODUCTION MANAGEMENT | Thomas Quintas |
| CINE 257S | AMERICAN CINEMA: REDEFINED | Franklin Cason |
| CINE 273 | RELIGION AND FILM | Andrew Coates |
| CINE 281S | HOW TO WRITE A HORROR MOVIE | Neal Bell |
| CINE 301S | MOVING IMAGE PRACTICE | Joshua Gibson |
| CINE 301S | MOVING IMAGE PRACTICE | Jenny Lion |
| CINE 302S | WRITING MOVIES: ADAPTATION | Johanna (Jody) McAuliffe |
| CINE 303S | WRITING THE SHORT FILM | Gary Hawkins |
| CINE 306S | WRITING THE MOVIE | Gary Hawkins |
| CINE 310S | ACTING FOR THE CAMERA | Chelsea Thaler |
| CINE 311S | VIDEO, ART, POLITICS | Jenny Lion |
| CINE 320S | FILM ANIMATION PRODUCTION | Douglas Herbert |
| CINE 325S | DOCUMENTING RESISTANCE ON FI | Elizabeth Webb |
| CINE 331S | DOC EXPER: A VIDEO APPR | Gary Hawkins |
| CINE 334S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| CINE 343S | DANCE FOR THE CAMERA | Andrea Woods Valdes |
| CINE 345S | COLD WAR & HITCHCOCK | Rey Chow, Markos Hadjioannou |
| CINE 355S | CINEMATOGRAPHY | Stephen Milligan |
| CINE 357S | EDITING FOR FILM AND VIDEO | James Haverkamp |
| CINE 366S | VIDEO JOURNALISM | Lynn Owens |
| CINE 373S | RECYCLED CINEMA | Jason Sudak |
| CINE 390 | SP TOPS/CINE EAST ASIAN GENRE FILMS | Xinyu Dong |
| CINE 390 | SP TOPS/CINE ASIAN AM/ASIAN DIASPORIC FILMS | Xinyu Dong |
| CINE 390S | SP TOPS/CINE BLACKNESS CINEMA POETICS | Zakiyyah Jackson |
| CINE 433S | SCIENCE, TECHNOLOGY, AND ART | Mert Bahadir Reisoglu |
| CINE 453S | CINEMATOGRAPHY II | Stephen Milligan |
| CINE 499S | ARTSVIS/CINE ARTS SENIOR CAPSTONE | Raquel Salvatella De Prada |
| CINE 499S | ARTSVIS/CINE ARTS SENIOR CAPSTONE | Shambhavi Kaul, Saleem Reshamwala |
| CINE 502S | ANALOG FILMMAKING & DARKROOM | Joshua Gibson |
| CINE 632 | NATIONAL CINEMAS | Guo Juin Hong |
| CINE 702S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| CINE 703S | WRITING THE SHORT FILM | Gary Hawkins |
| CINE 711S | VIDEO, ART, POLITICS | Jenny Lion |
| CINE 716 | CINEMATIC AUTHORSHIP | Franklin Cason |
| CINE 749S | CINEMATOGRAPHY | Stephen Milligan |
| CINE 753S | CINEMATOGRAPHY II | Stephen Milligan |
| CINE 757S | EDITING FOR FILM AND VIDEO | James Haverkamp |
| CINE 775S | RECYCLED CINEMA | Jason Sudak |
| CMAC 125S | FOUNDATIONS OF GAME DESIGN | Marshall Miller |
| CMAC 198 | EXPERIMENTAL INTERFACE DESIGN | William Seaman |
| CMAC 206 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| CMAC 240S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |
| CMAC 253 | SOCIAL MARKETING | Aaron Dinin |
| CMAC 420S | CRITICAL DIGITAL STUDIES | Kimberly Hassel |
| CMAC 564S | PHYSICAL COMPUTING | Mark Olson |
| CMAC 575S | GENERATIVE MEDIA AUTHORSHIP | William Seaman, John Supko |
| CMAC 706 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| CMAC 719S | CREATIVE CARTOGRAPHY | Edward Triplett |
| CMAC 740S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |
| CMAC 790S | SP TOPS IN CMAC MEDIA THEORY TODAY | Mark Hansen |
| ISS 112 | THE GOOGLIZATION OF KNOWLEDGE | Linda Daniel, Hannah Jacobs |
| ISS 125S | FOUNDATIONS OF GAME DESIGN | Marshall Miller |
| ISS 198 | EXPERIMENTAL INTERFACE DESIGN | William Seaman |
| ISS 206 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| ISS 211 | HISTORY OF ANIMATED FILM | Douglas Herbert |
| ISS 240S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |
| ISS 250 | BUILDING GLOBAL AUDIENCES | Aaron Dinin |
| ISS 253 | SOCIAL MARKETING | Aaron Dinin |
| ISS 313L | ADVANCED DATA VISUALIZATION | Mine Cetinkaya-Rundel |
| ISS 394T | ISS TUTORIAL PROJECT VOX | Andrew Janiak |
| ISS 420S | CRITICAL DIGITAL STUDIES | Kimberly Hassel |
| ISS 536S | PUBLIC HISTORY & MEMORY | Robert Buerglener |
| ISS 555S | PHYSICAL COMPUTING | Mark Olson |
| ISS 575S | GENERATIVE MEDIA AUTHORSHIP | William Seaman, John Supko |
| ISS 576S | THEORY & AESTHETICS | Anne Garreta |
| ISS 586 | USABLE SECURITY AND PRIVACY | Pardis Emami Naeini |
| ISS 706 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| ISS 719S | CREATIVE CARTOGRAPHY | Edward Triplett |
| ISS 740S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |
| ISS 757S | EDITING FOR FILM AND VIDEO | James Haverkamp |
| PHOTO 224S | LITERACY/PHOTOGRAPHY | Katherine Hyde |
| PHOTO 230S | SMALL TOWN USA | Anna Post-Rust |
| PHOTO 249S | THE PHOTOBOOK | Katelyn Lester |
| PHOTO 303 | HIST PHOTO 1839-PRESENT | Mira Xenia Schwerda |
| VMS 103 | TRADITIONS IN DOC STUDIES | Lauren Henschel |
| VMS 106S | DOC EXPER: A VIDEO APPR | Gary Hawkins |
| VMS 121CNS | MILITARY IMAGINARY | Christopher Sims |
| VMS 125S | FOUNDATIONS OF GAME DESIGN | Marshall Miller |
| VMS 198 | EXPERIMENTAL INTERFACE DESIGN | William Seaman |
| VMS 206 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| VMS 207S | LITERACY/PHOTOGRAPHY | Katherine Hyde |
| VMS 209S | WOMEN IN THE CLASSICAL WORLD | Emily Mohr |
| VMS 222 | HISTORY OF ANIMATED FILM | Douglas Herbert |
| VMS 224S | SMALL TOWN USA | Anna Post-Rust |
| VMS 236 | CONTEMP JAPANESE VIS CULTURE | Gennifer Weisenfeld |
| VMS 249 | BUILDING GLOBAL AUDIENCES | Aaron Dinin |
| VMS 255 | SOCIAL MARKETING | Aaron Dinin |
| VMS 257S | AMERICAN CINEMA: REDEFINED | Franklin Cason |
| VMS 260S | CINEMATOGRAPHY | Stephen Milligan |
| VMS 261S | MOVING IMAGE PRACTICE | Joshua Gibson |
| VMS 261S | MOVING IMAGE PRACTICE | Jenny Lion |
| VMS 264 | CONTEMPORARY DOCUMENTARY FILM | Thomas Rankin, Brenda Vienrich-Felling |
| VMS 267 | FILM GENRES | Departmental Staff |
| VMS 269 | RELIGION AND FILM | Andrew Coates |
| VMS 271S | FILM ANIMATION PRODUCTION | Douglas Herbert |
| VMS 274D | RACE, GENOMICS, AND SOCIETY | Charmaine Royal |
| VMS 277S | COMM IN DIG AGE HOW DO YOU MEME? | Savannah Marciezyk |
| VMS 282 | DRAMA OF ANCIENT GREECE | Erika Weiberg |
| VMS 288S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |
| VMS 289 | INTRO TO FILM STUDIES | Gustavo Furtado |
| VMS 298S | FILM THEORY | Markos Hadjioannou |
| VMS 299 | AESTHETICS: PHIL OF ART | Wayne Norman |
| VMS 302 | PHILOSOPHY OF MIND | Ting Fung Ho |
| VMS 303 | HIST PHOTO 1839-PRESENT | Mira xenia Schwerda |
| VMS 305S | VIDEO JOURNALISM | Lynn Owens |
| VMS 321S | WRITING MOVIES: ADAPTATION | Johanna (Jody) McAuliffe |
| VMS 325L | OPTICS AND PHOTONICS | Alexander Kozhanov |
| VMS 327S | THEORIES VISUAL/MEDIA STUDIES | Kristine Stiles |
| VMS 330S | DOCUMENTING BLACK DURHAM | Charles Thompson, Michael Wiley |
| VMS 331S | GENDER AND POPULAR CULTURE | Kimberly Lamm |
| VMS 335 | HIP HOP CINEMA | Patrick Douthit |
| VMS 337 | HISTORY OF HIP-HOP | Patrick Douthit |
| VMS 338S | WRITING THE SHORT FILM | Gary Hawkins |
| VMS 340S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| VMS 343S | COLD WAR & HITCHCOCK | Rey Chow, Markos Hadjioannou |
| VMS 345S | DANCE FOR THE CAMERA | Andrea Woods Valdes |
| VMS 350S | THE PHOTOBOOK | Katelyn Lester |
| VMS 356S | EDITING FOR FILM AND VIDEO | James Haverkamp |
| VMS 360S | WRITING THE MOVIE | Gary Hawkins |
| VMS 375S | RECYCLED CINEMA | Jason Sudak |
| VMS 383 | DISABILITY AND DESIGN | Mark Olson |
| VMS 390S | SP TOPS VMS BLACKNESS CINEMA POETICS | Zakiyyah Jackson |
| VMS 436S | SCIENCE, TECHNOLOGY, AND ART | Mert Bahadir Reisoglu |
| VMS 437S | ART AND HISTORY OF BOTANY | Andrew Griebeler |
| VMS 448S | ADVANCED ART RESEARCH AND LAB | Pedro Lasch |
| VMS 453S | CINEMATOGRAPHY II | Stephen Milligan |
| VMS 495S | HONORS THESIS WORKSHOP | Sheila Dillon, Gennifer Weisenfeld |
| VMS 502S | ANALOG FILMMAKING AND DARKROOM | Joshua Gibson |
| VMS 536S | PUBLIC HISTORY & MEMORY | Robert Buerglener |
| VMS 555S | BLACK VISUAL THEORY | Richard Powell |
| VMS 557S | TRAUMA IN ART, LITERATURE, FILM & VISUAL CULTURE | Mira Xenia Schwerda, Kristine Stiles |
| VMS 564S | PHYSICAL COMPUTING | Mark Olson |
| VMS 571S | ART AS WORK | Sarah Wilbur |
| VMS 575S | GENERATIVE MEDIA AUTHORSHIP | William Seaman, John Supko |
| VMS 576S | THEORY & AESTHETICS | Anne Garreta |
| VMS 632 | NATIONAL CINEMAS | Guo Juin Hong |
| VMS 706 | DIGITAL IMAGING | Raquel Salvatella De Prada |
| VMS 740S | PRODUCING DOCU-FICTION | Brenda Vienrich-Felling |
| VMS 748S | ADVANCED ART RESEARCH AND LAB | Pedro Lasch |
| VMS 753S | CINEMATOGRAPHY II | Stephen Milligan |
| VMS 757S | EDITING FOR FILM AND VIDEO | James Haverkamp |
| VMS 760S | CINEMATOGRAPHY | Stephen Milligan |
| VMS 775S | RECYCLED CINEMA | Jason Sudak |
| VMS 788S | WEB-BASED MULTIMEDIA COMMUNIC | Departmental Staff |