Skip to main content
Enter your keywords
Search
Menu
Secondary Menu
News
Events
Main navigation
About Us
Open About Us submenu
Mission Statement
Diversity, Equity and Inclusion Initiatives
Learning Outcomes
Local Arts Links
Resources
Undergraduate
Open Undergraduate submenu
Majors & Minors
For Future Students
For Current Students
Trinity Ambassadors
Graduate
Open Graduate submenu
Degree Programs
For Prospective Students
For Current Graduate Students
Courses
Open Courses submenu
Art History
Visual Arts
Visual & Media Studies
Historical & Cultural Visualization
Cinematic Arts
Computational Media, Arts & Cultures
Spring 2025 Courses
People
Open People submenu
Primary Faculty
Secondary Faculty
Instructors and Affiliated Faculty
Emeriti Faculty
Post Docs & Researchers
Staff
Graduate Students
Research
Open Research submenu
Visual Arts
Art History
Visual & Media Studies
Selected Faculty Books
Related Programs
Exhibitions
Alumni
Open Alumni submenu
Alumni Profiles
For Our Students
For Our Alumni
Selected Faculty Books
Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean
Andrew Griebeler
Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan
Gennifer Weisenfeld
New Growth: The Art and Texture of Black Hair
Jasmine Nichole Cobb
Non-Literary Fiction Art of the Americas Under Neoliberalism
Esther Gabara
The Architecture of Ideas: The Life and Work of Ranulph Glanville, Cybernetician
Bill Seaman
O. N. Pruitt's Possum Town: Photographing Trouble and Resilience in the American South
Tom Rankin (foreword author)
The Aesthetics of Reaction Tradition, Faith, Identity, and the Visual Arts in France, 1900-1914
Neil McWilliam
Sculptors Against the State: Anarchism and the Anglo-European Avant-Garde
Mark Antliff
Goat Light
Tom Rankin
African American Literature in Transition, 1800–1830: Volume 2, 1800–1830
Jasmine Nicole Cobb
Black Art: A Cultural History
Richard J. Powell
Models and World Making: Bodies, Buildings, Black Boxes
Annabel Jane Wharton
Imagining Sculpture: A Short Conjectural History
Stanley Abe
The Obama Portraits
Taína Caragol, Dorothy Moss, Richard Powell, Kim Sajet
Going There: Black Visual Satire
Richard J. Powell
Digital Cities: Between History and Archaeology
Maurizio Forte, Helena Murteira
History, painting, and the seriousness of pleasure in the age of Louis XV
Susanna Caviglia
Lessons and Legacies XIII: New Approaches to an Integrated History of the Holocaust: Social History, Representation, Theory
Paul Jaskot (co-editor)
Images at Work: The Material Culture of Enchantment
David Morgan
Pop America, 1965-1975
Esther Gabara
Gunter Brus, Unruhe nach dem Sturm/Unrest After the Storm
Kristine Stiles (contributor)
Body Narratives: Motion and Emotion in the French Enlightenment
S. Caviglia
Digital Methods and Remote Sensing in Archaeology: Archaeology in the Age of Sensing
Maurizio Forte and Stefano R.L. Campana (Editors)
Visualizing Venice: Mapping and Modeling Time and Change in a City
Kristin L. Huffman, Andrea Giordano, and Caroline Bruzelius (editors)
Pagination
1
2
3
››
Next page
last »
Last page
About Us
Mission Statement
Diversity, Equity and Inclusion Initiatives
Learning Outcomes
Local Arts Links
Resources
Lecture + Image Review
ARTHIST 345
ARTHIST 383
Undergraduate
Majors & Minors
Majors
Art History
Art History: Architecture
Art History: Museum Theory & Practice
Art History & Visual Arts
Computational Media: Interdepartmental Major in Computer Science and Visual and Media Studies
Visual Arts
Visual & Media Studies
Visual and Media Studies: Cinematic Arts
Minors
Art History
Computational Media: Interdepartmental Minor in Computer Science and Visual and Media Studies
Photography
Visual Arts
Visual & Media Studies
Cinematic Arts Minor
For Future Students
Frequently Asked Questions
How to Apply
Where Our Students Go
For Current Students
Advising
Capstone Projects
Graduation with Distinction
Global Education
Independent Study & Research
Senior Portfolio
Undergrad Grants & Resources
Student Funding
Trinity Ambassadors
Graduate
Degree Programs
Ph.D. in Art History & Visual Culture
Ph.D. in Computational Media, Arts & Cultures
MA in Digital Art History / Computational Media
MFA in Experimental & Documentary Arts
For Prospective Students
How to Apply
Financial Aid
Frequently Asked Questions
Meet Our Graduate Students
Living in Durham
MA in Digital Art History/Computational Media Students: 2015-2021
PhD in Art History & Visual Culture Students: 2008-2021
PhD in CMAC: Retrospective Booklet 2016-2021
For Current Graduate Students
Advising Statement of Expectations
Dissertation
Independent Study
Language Requirement
Preliminary Exam
Progress Toward the Degree
Professional Development
Courses
Art History
Visual Arts
Visual & Media Studies
Historical & Cultural Visualization
Cinematic Arts
Computational Media, Arts & Cultures
Spring 2025 Courses
People
Primary Faculty
Secondary Faculty
Instructors and Affiliated Faculty
Emeriti Faculty
Post Docs & Researchers
Staff
Graduate Students
Research
Visual Arts
Student Visual Arts Projects
Faculty Visual Arts Projects
Art History
Faculty Art History Projects
Visual & Media Studies
Student Visual & Media Studies Projects
Faculty Visual & Media Studies Projects
Selected Faculty Books
Related Programs
Exhibitions
Smith Warehouse Art Exhibition Space Request
Alumni
Alumni Profiles
For Our Students
For Our Alumni
Assisting Duke Students
Contribute
News
Events
